Category: FEATURES

Douglas Coupland’s Slogans at Daniel Faria

by Olivia Musselwhite

Each slogan is on a brightly colored surface contrasting with bold font, projecting pessimistic words that unapologetically call out the world for how it is.

by Hugh Alcock

Yelland’s paintings are alluring in their compositions and colours. As a long-time resident of Toronto I recognise his works collectively as a love-letter to the city. He tenderly captures the essence of the place.

by Emese Krunák-Hajagos

These portrait exhibitions reflect the current times in many ways: the anxiety, the fear, the sadness, the unspoken

by Olivia Musselwhite

Basualdo creates a fictional world so the viewer can contemplate their lives and bodies. He creates a space for a humbling experience, forcing one to acknowledge their own limitations.

Emese Krunák-Hajagos

Sze’s “sculptures” are very complicated structures, that vibrate with projected images and light that fills them with life, making them a living thing that breathes and moves.

by Maya Burns

For the first time, alongside his signature portraits, the show contains multi-paneled paintings of objects

by Hugh Alcock

It is the tension between the physical and the psychological that makes her work gripping. Hers is a powerful unique voice, wonderfully showcased by Christopher Cutts’ judicious selection.

by Phil Anderson

The impact is felt by many art galleries as people can’t visit and sales for art would be difficult as the whole economy is now in taters.

by Mikael Sandblom

We’re missing a lot by not seeing this show in person because the work involves the material, and craft of painting. It’s the kind of work you want to get up close to.