by Hugh Alcock
Yelland’s paintings are alluring in their compositions and colours. As a long-time resident of Toronto I recognise his works collectively as a love-letter to the city. He tenderly captures the essence of the place.
by Emese Krunák-Hajagos
These portrait exhibitions reflect the current times in many ways: the anxiety, the fear, the sadness, the unspoken
by Olivia Musselwhite
Basualdo creates a fictional world so the viewer can contemplate their lives and bodies. He creates a space for a humbling experience, forcing one to acknowledge their own limitations.
Emese Krunák-Hajagos
Sze’s “sculptures” are very complicated structures, that vibrate with projected images and light that fills them with life, making them a living thing that breathes and moves.
by Maya Burns
For the first time, alongside his signature portraits, the show contains multi-paneled paintings of objects
by Hugh Alcock
It is the tension between the physical and the psychological that makes her work gripping. Hers is a powerful unique voice, wonderfully showcased by Christopher Cutts’ judicious selection.
by Phil Anderson
The impact is felt by many art galleries as people can’t visit and sales for art would be difficult as the whole economy is now in taters.
by Mikael Sandblom
We’re missing a lot by not seeing this show in person because the work involves the material, and craft of painting. It’s the kind of work you want to get up close to.
by Kexin Wu
the exhibition showcases a selection of work that exposes and surveys the social engagements of children in weaponized violence.
by Maya Burns
We continue the creative process in our experience of the blue by generating our own meaning and our own attachments.
by Phil Anderson
The exhibition has a lot to say and proves Shadrach to be an accomplished artist to watch and listen to.
by Hugh Alcock
There is little doubt that Wainio is a rarely gifted artist with an uncanny ability to conjure out of paint a spellbinding object, rich in possibilities.
