by Phil Anderson
There are too many to talk about and not everything has been announced yet! But for now, I can say that I am excited for people to explore the waterfront in a new way, thinking deeply about its history and its future.
by Mikael Sandblom
Hartman has been working on this project for three years and he feels that he’s found a direction that opens more possibilities the further he pursues it.
by Nathan Flint
No small act of resistance or kindness goes unnoticed and the exhibition celebrates this fact with enthusiasm, intelligence and fascinating aesthetic explorations.
by Hugh Alcock
She is an alchemist enthralled by the processes themselves by which she hopes to turn liquid into solid. This mastery is evidenced by her ability to render formal qualities into a beautiful whole.
by Mikael Sandblom
The Apostle – Astronauts are the kind of paintings that you want to look at again and again. They appear simple at first but are harder to pin down the longer you look at them.
by Nathan Flint
The gallerists were friendly, the curators were knowledgeable, and the art was beautiful and meaningful in so many new and thoughtful ways.
by Nathan Flint
Both artists captured moments within the natural cycle of destruction and creation by using their artistic vision and conceptual views to radically alter the fabric of our world.
by Sunny Kim
Thanks to these investigations, we are able to gain a deeper understanding of others’ madness – as well as our own.
by Hugh Alcock
His objective is to nudge you into thinking that while you may feel certain about how things appear to you, that certainty might itself be an illusion, a trick of the brain.
by Simon Termine
While comparable in their use of abstract elements, both artists portray entirely unique approaches and thematic foundations.
by Nathan Flint
Finding abstraction in forms, and figures in the formless is a wonderfully intellectual exercise that the artist and the gallery have tackled beautifully together.
Emese Krunák-Hajagos
Kim enhances her rather morbid imagery with delicate strokes and colors – so the ugly body parts go through a metamorphosis and become almost beautiful.
