by Hugh Alcock
Hughes has developed a geometry of form and colour which he uses to express, i.e., make visible, the poetic, or spiritual.
Simon Hughes at Blouin Division Gallery
Category: FEATURES
Present. Tense. at United Contemporary
by Sofia Diaz Aguilar
Both Lam and Mireau appreciate material exploration, creating a whole new set of possibilities.
Liminal Spaces at Ignite Gallery
by Sherry Chunqing Liu
Wang Zi’s works reveal how the intimate can become collective, and how community-based art sustains the fragile yet enduring act of storytelling.
Moses Salihou at Nicholas Metivier Gallery
by Sofia Diaz Aguilar
Colour, texture, community, culture and intimacy would be the words I would use to describe the show.
Nithikul Nimkulrat at Craft Ontario
by Rashana Youtzy
Nimkulrat’s aims to remember her father through these objects with carefully crafted knots.
David Liss: Land/Mind II at Rail Gallery
by Phil Anderson
The exhibition is a treat for anyone who enjoys skillful contemporary artworks.
Hugh Alcock at Yorkminster Park Gallery
by Mikael Sandblom
You begin to see how each branch moves, how bark curves and cracks, how form is never static but always unfolding.
Shelagh Keeley at The Power Plant
by Sofia Diaz Aguilar
In a slow, quiet, and tranquil experience, the rushed modern world slows down, allowing visitors to have a moment of calmness and reflection.
Yayoi Kusama at the AGO
by Yehyun Lee
We are each a sphere among spheres, a reflection within reflections, a fleeting image in a room that will outlast us.
Sage Szkabarnicki-Stuart at Koffler Arts
by Sherry Qin
There is never a dull moment in her images, and her magical farm fantasies are worthy of applause.
Hayley Axelrad at Alison Milne Co.
by Abuk Lual
The collection is playful and insightful, a vivid reminder that luxury doesn’t necessarily equate to happiness.
Grandmother and Balancing Bitter at United Contemporary
by Rashana Youtzy
The exhibitions facilitated the moments of connection, across cultures and generations alike.