by Yehyun Lee
It is not just an exhibition; it is an invitation to participate in an ongoing conversation about the ways in which we are all shaped by the silences, struggles, and the stories we carry.
Drawing a Blank at Open Studio
Category: FEATURES
Charles Campbell at The Power Plant
by Lex Barrie
Charles Campbell, uses his art practice to reflect the effects of colonization and slavery through audio installations and sculptures.
Gwen Tooth and Parissa Daie at Propeller
by Kaya Meziane
Together, these exhibitions offer a compelling dialogue on perception, emotion, and the act of creation itself.
Greg Hardy at Nicholas Metivier Gallery
by Rebekah Barona
His vibrant and monumental landscapes combine ephemeral emotion with representations of the physical land, creating something that is at once subjective, yet universal.
Howie Tsui at Patel Brown Gallery
by Sherry Qin
Tsui’s works carry an eerie and gruesome undertone, exemplified by grotesque and demon like caricatures.
Interface Remix by Tishan Hsu at MOCA
by Antonella Pecora Ruiz
Tishan Hsu compels us to confront the illusions and perceptions that shape both modern art and our lives.
Kristine Moran at Daniel Faria Gallery
by Nusrat Papia
Moran conveys a powerful message: our past can be a source of inspiration, and as reimagined it can shape or reshape our world.
The Sex Show at Gallery 1313
by Hugh Alcock
This show offers a rich selection of artworks that do indeed celebrate sex.
Eldred Allen at Stephen Bulger Gallery
by Yehyun Lee
For Allen, photography has become a tool not just for recording the world, but for helping others see it as he does—with wonder, with reverence, and with love.
Courtney and Virginia at Insomnia Restaurant
by Nusrat Papia
With a new rotation of artists every five weeks, Insomnia Restaurant offers a unique opportunity to discover and connect with diverse artistic styles.
Heart, Mind, Love at Propeller Art Gallery
by Kaya Meziane
The exhibition ultimately reinforces the idea that love is not confined to sentiment or reason alone, but is found in the balance between the two.
Barbara Klunder at Paul Petro
by Rebekah Barona
Klunder doesn’t use art just for personal expression, but to tell stories, and furthermore, to expose the stories we, as a society, tell ourselves.