The corporate gaze is real and very present in the media we consume, the media we create, and even within our senses of self. Other Sister isn’t real… or is it? Maybe it’s both. Does it matter? Does anything matter anymore?
I highly recommend you spend some time in the lobby of the MOCA. Go flip through the books, grab a seat, read the posters, and take your time gazing at the walls.
The exhibition features ten photographs that reflect her solitary experience of the pandemic by documenting “her performative engagement with objects made and collected during [it].
Artists of various backgrounds, genders, and ideologies come together to forge connections that are new, old, emotionally intimate, physically distant, and everything in between.
The works in this exhibition appear to have slipped into common themes of emotional intimacy and human connection. I like to think that the environment of invitation has resulted in these themes
We are usually unhappy to be the mere vessels through which time and space operate, we would rather make something of it and anchor it in digestible accounts. beige mint reconciles us to an entangled world, even when viewed from home.
We hope that people will enjoy the project and follow the route to see all the boxes; to both get fresh air and engage with the project at the same time.
These photos capture our national truths, and for that reason we will look at them years from now, with tears in our eyes and goosebumps all over, and we will remember all we lost and gained.