This monumental project by Art Spin and Small World is an incredible testament to Toronto’s artistic community and in attendance inspired my question: how will future artworks contribute to rebuilding iconic public spaces?
Tisiga’s painted scenes are all narrative, storytelling at the height of action, containing traditional threads and allegories as well as personal symbols and subtle Western content.
Koop’s paintings seem to represent an uninhabitable or rare space where the beauty of New York’s architectural reality is valued above its economic symbolism – or perhaps an ode to ephemeral moments in the mega city’s skyline.
Most of the objects are treated like artifacts and documentation, but all seem included for the purpose of elevating contemporary tattoo practices and styles to an art form.
In the space between the rural North and the urban city, between dusk and twilight, and somewhere between indoors and outdoors, there exists ‘landscapes of the mind’ by Ann MacIntosh Duff.
In The Boss, The Queen, The Secretary and The Henchman, the layers of paint have more solid planes, are less in flux and the figures demonstrate relationships not only between imagined characters but also between colours.
Project Gallery successfully allows the character of each artist to speak for itself without any generalizations about the experience of being female, while also maintaining a succinct curatorial vision.
The multidisciplinary practice of Butler pushing the boundaries and definitions of art world models. The travelling studio/party forms a much needed community space and entertaining activity.