by Meghan O’Callaghan
As Phil Irish’s exhibition Peak Velocity winds down in anticipation for the solo show of fellow Ontarian artist, Pedie Wolfond, I had the pleasure of visiting the Lonsdale Gallery in that liminal gallery time when exhibitions are coming and going.
by Meghan O’Callaghan
This location gives the flexibility to show large and intimate exhibitions, as well as better integrate moving image works. More is most certainly more at the new Stephen Bulger Gallery.
by Meghan O’Callaghan
Our presence here in this landscape is temporary in comparison to the power and magnitude of our natural world. Our reverence is rightfully demanded and deserved in Pratt’s exhibition.
Scotiabank Contact Photography Festival
May, 2016 / Toronto and GTA
With so much choices, with well over 1500 Canadian and international artists and photographers exhibiting at more than 200 exhibitions, it isn’t easy picking exhibits to see.
by Meghan O’Callaghan
Wolfond revealed the theme at the heart of both this show and his gallery as “the contrast and dialogue between intimacy and grandeur”.
March 24, 2016 / 6:30 – 9:30 pm
by Phil Anderson & Meghan O’Callaghan
With these artists, their art, I only expect further success for the dynamic collective at Propeller.
by Meghan O’Callaghan
Marco Bertuzzo has poignantly reminded us that art should be slowly digested, a process that allows one to absorb all it’s veiled meaning.
by Meghan O’Callaghan
Two exhibitions, Tara Cooper, Contre vents et marées & Richard Sewell, Compression are on display at loop
by Meghan O’Callaghan
The landscapes convey a reflexive awareness of their creator, the solitary and melancholic artist, whose reverence and communion with nature is exacted through the sharp and acute lines of his surreal landscapes
February 18, 2016 / 7 – 10 p.m.
by Meghan O’Callaghan, Carter Brown & Vanessa Zeoli
It was a full house last night and, there were both people highly engrossed in the art and others mainly engrossed in the party.
by Meghan O’Callaghan
Noonan’s entrance into abstraction is successful as he captures the consciousness of city life, depicting its claustrophobia and dynamism with a cavalcade of overlapping colours and lines
