by David Saric
There is no substantial contextual relationship between the paintings in this exhibition, as viewers are called to appreciate these interesting, yet disparate artworks based on their own singular merits.
I ♥ Paint II at Angell Gallery
Category: David Saric
Scotiabank Photography Award: Mark Ruwedel
by David Saric
This thorough survey will captivate admirers of Ruwedel and landscape-themed photography, while also providing curious onlookers a chance to explore new and exciting destinations through the photogpraher’s interesting and curious lens.
Contact 2015 / Artoronto.ca picks
Scotiabank CONTACT Photography Festival
May 2015 / Toronto
With so much choice, with well over 1500 photographers exhibiting throughout the Greater Toronto Area, it isn’t easy picking exhibits to see
Elaine Whittaker: Shiver
by David Saric
Perennial optimists beware: Elaine Whittaker’s newest exhibition explores how contagions and viruses can significantly alter human’s biological framework with the potential to destroy hordes of vulnerable targets without warning
Ispirazione Divino / Articsok Gallery
by David Saric
The paintings of the four artists: Joseph Cach, Ashley Johnson, Mahmoud Meraji and Marcelo Suaznabar are visually united through their uncanny subject matter, evoking images of fantastical landscapes and imaginary beasts
Douglas Coupland is Everywhere
by David Saric
Throughout the two unified exhibitions, Coupland’s artworks critically analyze what it means to be human in a postmodern society, while also displaying a sense of wit and playfulness that is both engaging and memorable.
Libby Hague and Sandra Smirle at loop
by David Saric
Where Smirle’s exhibition presented her particular representation of a significant voyage, Hague’s quirky-looking constructions focus on broader themes and are less specific.
Kate McQuillen: Dead Reckoning
by David Saric
Kate McQuillen’s Dead Reckoning, on now at the O’Born Contemporary, transforms the traditional commercial gallery space into an artfully abstracted information center.