they still keep a sense of that intimacy in part because of how I took the pictures (the soft quality of light, the modest framing, etc.) and also because of the painting, drawing and collaging I added to the print
artist and curator Jean-Paul Kelly welcomed guests into his home and studio for an intimate look at a handful of his past works, and his current practice.
Though we are left to contemplate and engage in intellectual dialogue in regards to the metamorphosis of the resurrected found objects, these works also inspire cheer by making their viewer smile.
His collection of objects displayed in the Justine M. Barnicke Gallery consists of historic examples spanning from 1930’s Spain to the NSA’s current control of encryption in the USA.
Although Farber’s trilogy of works may seem morbid and pessimistic, he vulnerably offers his audience the opportunity to appreciate and relate to his growth as a human being and as an artist